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Everything she does is a little overdone, but it is a pleasure to see such things done at all. But the confidence of the heart-which shows in the sudden warm going-under-now look in the eyes-is impressive.
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Louis, Judy showed the first flutters of a nature that could give and sympathize deeply, even where it could not control. In such pictures as Wizard of Oz, The Clock and Meet Me in St. Her big, dark voice sobs sighs, sulks and socks them out like a cross between Tara’s harp and the late Bessie Smith.Īn expert vaudeville performance was to be expected from Judy to find her a dramatic actress as well is the real surprise-although perhaps it should not be. Harold Arlen and Ira Gershwin have given her six good songs-among them one unforgettable lump in the throat, The Man That Got Away. What the Critics Said: TIME’s Octoissue applauded her performance for her musicality and acting, highlighting the improvement in her skills:Īs for Judy, she has never sung better. Garland’s leading man was played by James Mason, a British actor known for his role in Hitchcock’s North by Northwest (1959). This time, the it-girl of the 1950s was Judy Garland (1922-1969), whose career had taken off with her role Dorothy in 1939’s The Wizard of Oz. The Plot: 1954’s A Star Is Born, directed by George Cukor, took inspiration from the original and showed Esther again as an aspiring Hollywood star. March, who played Norman Maine, was nominated for but ultimately lost the Best Actor in a Leading Role Academy award, too. (Her 1927 win for Sunrise was monumental, as it took place at the first Academy Awards ceremony in history, making Gaynor the first-ever Best Actress award recipient.) However, though she was nominated, Gaynor lost the Best Actress in a Leading Role award. Both films won her the respective year’s Best Actress in a Leading Role award at the Academy Awards. Gaynor, having already starred in 1927’s Sunrise and 1928’s Street Angel, was certainly Hollywood’s it-girl of the late 1920s and 1930s. Wellman, was nominated for seven Academy Awards. The Awards: The original A Star Is Born, directed by William A.
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The music was written by Dorothy Dick and Max Steiner (of Gone With the Wind), with the full soundtrack sung by Buddy Clark.
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The Music: The scoring of the movie, which was not a musical, was not nominated for an Oscar, despite its well-known composers.
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TIME’s critic also praised the film for containing “a magnificent shot which is possibly the best individual justification of Technicolor yet seen on the screen.” From this point on, the story of A Star Is Born does not differ in superficial outline from the story that has been told a hundred times, usually as an excuse for weak screen musicals. It then examines the career of the exception-Esther Victoria Blodgett (Janet Gaynor) who, the day she arrives on the Coast, financed by her grandmother’s nest egg, tiptoes into the outer lobby of Grauman’s Chinese Theatre and stands tremulously in the cement footprints of her favorite actor, Norman Maine.
#Judy garland a star is born soundtrack movie
March stole the show and lent the movie its “effectiveness”:Ī Star Is Born (United Artists) starts by making the point that one girl in a hundred thousand who go to Hollywood to be stars becomes one. What the Critics Said: A May 3, 1937, TIME review critiqued Gaynor, not only for her acting in A Star Is Born, but for her talent in general. After Esther moves to Los Angeles to pursue acting, she meets Norman Maine (Fredric March), an alcoholic actor Esther looks up to. Janet Gaynor (1906-1984) plays Esther, who grew up on a farm in North Dakota. The Plot: The plot of the first film differs the most from the following renditions, as the lead character’s passion is for acting rather than singing.